Over Fragmenten.blog

Welkom op Fragmenten uit het Schemerland, mijn persoonlijke website en content-verzameling. Je vindt hier veel artikelen over films en series in de FilmDungeon. Ook vind je op deze site mijn achtergrondverhaal, een selectie van mijn professionele werk, en een groeiende collectie blogs – fragmenten genaamd – over uiteenlopende onderwerpen. Veel leesplezier en bedankt voor het bezoeken van mijn blog!

— Jeppe Kleijngeld

PS: Bezoek ook eens mijn andere website over bewustzijn en mijn visie op de ware aard van het universum:

31. American Gangster (2007)

Director: Ridley Scott
Writers: Steven Zaillian, Mark Jacobson (article)
Stars: Denzel Washington, Russell Crowe, Chiwetel Ejiofor, Josh Brolin

This review is part of the feature:

The 33 Gangster Films You Can’t Refuse

Though not the most original take on the genre, Ridley Scott’s American Gangster is still superb in several respects. The recreation of early-1970s New York is phenomenal: every setting feels meticulously crafted and fully lived-in. The cast is equally impressive, and the characters are consistently engaging.

Frank Lucas (Washington) is a special kind of incarnation of the American Dream. When his mentor, drug kingpin Bumpy Johnson dies, Lucas replaces him as Harlem’s number one drug lord. His power quickly spreads throughout the whole of New York and New Jersey and he even becomes bigger than the Italian Mafia.

Black crime boss Frank Lucas is based on a real person, and Denzel Washington plays him with chilling intensity. His counterpart is the incorruptible detective Richie Roberts, a man surrounded by colleagues on the take. Roberts is portrayed with commanding presence by Russell Crowe, who delivers a performance in fine form.

The ambitious Lucas, who viewed himself more as a businessman than a criminal, devised an ingenious and cynical method to import pure heroin into the United States: he smuggled it from Southeast Asia in the body bags of American soldiers killed in the Vietnam War! The fact that Lucas profits from his country’s pointless struggle against communism and narcotics has a great taste of irony.

American Gangster is a cops-versus-gangsters film – a bit like The Wire in movie form – and at times Scott comes impressively close to that extremely high standard. The great casting, production design and visual style alone make this a totally enjoyable experience.

32. Road to Perdition (2002)

Director: Sam Mendes
Writers: Max Allan Collins, Richard Piers Rayner, David Self
Stars: Tom Hanks, Tyler Hoechlin, Paul Newman, Daniel Craig

This review is part of the feature:

The 33 Gangster Films You Can’t Refuse

In this adaptation from the beautiful graphic novel from Max Allan Collins (writing) and Richard Piers Rayner (art), Tom Hanks plays Michael Sullivan, an enforcer for Irish mob boss John Rooney (Paul Newman).

Rooney treats Michael like a son, but this dynamic is fractured by the reckless actions of Rooney’s actual son, Connor (Daniel Craig), whose betrayal leads to the brutal murder of Michael’s wife and youngest child. Gutted, Michael embarks on a chilling journey of vengeance across the snow-draped Midwest, with his surviving son, Michael Jr., by his side.

Director Sam Mendes brings together a stellar cast in this gripping, yet understated gangster epic. The performances are a masterclass in subtlety and intensity, with Hanks, Newman, and Craig delivering powerhouse portrayals that highlight the complex interplay of loyalty, betrayal, and familial bonds.

The cinematography by Conrad L. Hall is equally compelling, painting 1931 Chicago and the small-town landscapes of Illinois with a haunting, almost poetic beauty. Each shot is meticulously crafted, making the film as visually breathtaking as it is emotionally poignant.

The story is borrowed from the classic Japanese manga Lone Wolf and Cub, which is about an extremely skillful samurai who takes his son on a journey of revenge after being betrayed.

Thematically, Road to Perdition delves into the intricate relationships between fathers and sons, exploring how their love and loyalty can be both a source of strength and a cause of strife. The evolving dynamic between Michael and his son is moving, offering moments of connection and understanding amidst the violence and tragedy.

With its evocative storytelling, exceptional acting, and unforgettable imagery, Road to Perdition remains a standout in the gangster genre, as well as a deeply affecting meditation on family and redemption.

The 33 Gangster Films You Can’t Refuse


“It’s not just Italian American gangsters. It’s Cagney and Bogart movies, it’s Westerns. Americans seem to have some kind of fascination with outlaws in general. Maybe it’s because we were an outlaw nation to begin with. This nation was born of rebellion against authority, and in a weird way, that’s what these characters represent. That image is very attractive to Americans. It’s part of the national unconscious. It’s practically in our genetic code.”


― Steven Van Zandt in the article ‘A Harried Godfather struggles to balance his personal and professional lives’. By Matt Zoller Seitz in The Star-Ledger, 1-9-1999

Introduction

As far back as I can remember, I always loved gangster movies. Well, that’s not exactly true; I have always loved watching bad guys, so I definitely recognize myself in that Steven Van Zandt quote above. As a child, I loved cartoons and action films – like the James Bond movies – that featured inspiring villains.

Then, when I was 13, I saw GoodFellas for the first time. It immediately became my favorite film, my love for the gangster genre was awakened, and I have since watched countless gangster films. So now, more than 30 years later, I have decided to put together my personal ultimate ranking of gangster classics.

But what do I mean by ‘gangster film’? First, I had to get my criteria straight: gangsters must play a lead role in the movie. So is Heat a gangster movie? Definitely. Yes, fifty percent of the film is about the cops trying to catch the robbers, but those robbers play a huge role in the movie. In screen time alone, Neil McCauley’s gang can match most of the other gangsters on this list.

Of the final selection, I had the most doubts about The Untouchables and Lock, Stock and Two Smoking Barrels. The first is really about Elliot Ness and his special police force, but I still felt the gangsters play a very prominent part in the film. Robert De Niro’s Al Capone, in particular, is such a powerful gangster performance that the movie belongs on this list.

As for Lock, Stock: the main characters may not be arch criminals, but they are still up to their necks in crime. Besides, most of the other characters are legendary gangsters such as Hatchet Harry, Big Chris, and Barry the Baptist, so it’s pretty obvious it should be included.

One movie that didn’t make the cut is L.A. Confidential. A brilliant film, surely, but its ‘gangsters’ are mostly crooked cops, and therefore don’t count as gangster characters.

Great movies that almost made the cut: Scorsese’s Mean Streets, which I chose not to include because its characters are so low-level in the underworld and the film features few high-level mobsters.

The terrific A History of Violence, which is more an action thriller focused on the psychology of its characters rather than crime. And Bound, more an erotic thriller in which one main character (Joe Pantoliano’s Caesar) happens to be in the mob.

Movies that do live up to the criteria and almost made it, and therefore deserve an honorable mention: Gotti, A Bronx Tale, The Roaring Twenties, Little Caesar, Scarface (1932), Eastern Promises, and The Public Enemy.

So now, without further ado, I present the 33 gangster films that define the genre for me… Just don’t go busting my balls about the selection, okay?

The 33 Gangster Films You Can’t Refuse

32. Road to Perdition

31. American Gangster

The Verdict: The Surfer

I originally wanted to see this at the International Film Festival Rotterdam (IFFR) in early 2025. I bought the tickets, but never took the ride: I got sick. Did I miss much? Can’t say that I did, since it’s now available to stream on HBO. Luna Bay, Australia. Nicolas Cage plays a surfer who wants to take his teenage son surfing at the beach where he grew up. But a group of local crazies won’t let him. Cage himself is a pretty crazy, cocky bastard, but you’ve still gotta love the guy. I know I do. As soon as these pricks start messing with him, you expect him to go apeshit. And he does, but the movie then takes a different, more psychological direction.The film deserves credit for not going down the clichéd revenge/survival route, but the story eventually becomes confusing, and for me it was not satisfying at all. Too bad. The cinematography and acting are excellent, but the screenplay was a major problem I couldn’t overlook.

The Surfer is now available on HBO.

The verdict: to stream or not to stream? Not to stream.